There is a scene in Jean Pierre Jenuet’s Amelie in which Audrey Tautou is sitting on her red bed, in front of her green television, watching what appears to be an imaginary documentary about her own sad death. She weeps as it showed footages of crowds attending the funeral procession, as the documentary paid tribute to the noble causes she has supported in life: feeding the poor, tending the sick, etc.
We know of course that Amelie is merely depressed, and this is her way of “letting it all out.” Moments earlier in the film, she is grating cheese for her dinner pasta when she stops suddenly, looks out the window, sees her recluse neighbor having the same exact meal she’s preparing, and decides her fate is sealed.
Why is drowning in misery so cathartic—that momentary tightening of the chest as one imagines a successful suicide, that split-second when your head is clear and you recognize truths you have so far otherwise ignored?
It’s a situation I’m not entirely unfamiliar with. The other night, I lay in bed admiring my bedroom ceiling, dead tired after having a rough day of making myself busy with tedious chores just so I could avoid checking my phone every few minutes for a missed call or an unread text message.
I wanted then to see right away if there are any more furniture undersides left for me to dust, dim light bulbs to replace, or dining table stains to scrub. But the pull of the alternative is simply irresistible. I searched instead through my memory for my own “TV documentary.”
While mine does not involve funeral parades or soup kitchens, I have perfected it by diligently cutting out some of the more awful scenes and adding in some good ones. Of course, in the end, it’s no longer a documentary but a set of disparate short films. Considering the advanced level of despair I had at the time, I picked two of my favorite short films and “played” them.
The first one is set in a rather expensive restaurant—the waiters are dressed in tailored suits and the crystal looked real. Nothing really happens, except I am closely watching two people on the other table. The other is set in a hospital room and I am afflicted with a rare skin disease caused by some unknown strain of virus.
And then my phone beeped and I scrambled for the wretched thing in the dark. When I finally discovered it beneath one of the pillows, I found out that it’s just an automated alert, reminding me I have enough reward points to subscribe to some unlimited texting promos. I threw the phone away and went to sleep.
In the morning, as I woke up, I decided to become a good person with nice thoughts. At least until today when I once again remembered the ingenious Amelie and her indispensable TV. ▣